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A minor and rather amateur effort in the tradition of Secret Beyond the Door (1947), this is of interest mainly for Gilling’s script which foreshadows the spate of psycho-thrillers produced by Hammer and its rivals from 1960 onwards, starting with Seth Holt’s Taste of Fear. … The movie, poorly directed, offers an unhappy mix of the conventions of melodrama, the butler-did-it thriller and psycho-horror.
Phil Hardy, The Overlook Film Encyclopedia: Horror (The Overlook Press, 1994)
Selected disc options for Dark Interval
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