The Mutilator
- Year: 1984
- Country of origin: USA
- Genre: Horror, Thriller
- Director: Buddy Cooper, John Douglass
- Length: 86 min
By sword, by pick, by axe, bye bye.
Film Synopsis
The Mutilator (1984) follows a college student who invites his girlfriend and friends to help him close his father’s beachside condominium over fall break, unaware that his mentally unstable father is hiding there with murderous intent. As the gang relaxes by the shore and indulges in partying, the father emerges from the shadows and begins stalking and slaughtering them with increasingly grisly methods. This slasher horror blends isolated beach vibes and relentless carnage in a stark study of revenge and survival against a deranged killer.
The Mutilator Blu-ray editions
See which disc extras are included across selected editions.
| Disc Extras | Arrow BD-ALL/US/OOP 2016 |
|---|---|
| Audio Commentary by Director/Writer Buddy Cooper and Actress Ruth Martinez Tutterow | |
| Audio Commentary by Director/Writer Buddy Cooper, Co-Director John Douglass, Assistant Special Makeup Effects Artist/Assistant Editor Edmund Ferrell, and Actor Matt Mitler | |
| Introduction by Director/Writer Buddy Cooper and Assistant Special Makeup Effects Artist/Assistant Editor Edmund Ferrell | |
| Fall Breakers: The Story of “The Mutilator” | |
| Mutilator Memories - Interview with Special Makeup Effects Artist Mark Shostrom | |
| Tunes for the Dunes - Interview with Composer Michael Minard | |
| Alternate Opening Title Sequence as “The Mutilator” | |
| “Fall Break” Theme Song (Instrumental) | |
| “Fall Break” Theme Song (Original) | |
| Behind-the-Scenes Reel | |
| Screen Tests | |
| Opening Sequence Storyboards | |
| Stills Gallery | |
| Theatrical Trailer as “Fall Break” | |
| Theatrical Trailer as “The Mutilator” | |
| TV Spot as “Fall Break” | |
| TV Spots as “The Mutilator” | |
| Radio Spots | |
| Original “Fall Break” Screenplay | |
| Easter Egg: Actress Ruth Martinez Tutterow Reads Excerpts from Her Copy of the Script | |
| Easter Egg: Extension of the Director’s Introduction |
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