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La mano che nutre la morte amply deals with recurring themes of Italian Gothic, starting with its evil, Machiavellan central female character opposed to a weak, feeble-willed male figure. … [and] features the umpteenth “black veiled lady” of Italian horror, and liberally draws from such themes as the doppelgänger and the partially disfigured face, half-beautiful and half-horrific…
Roberto Curti, Italian Gothic Horror Films, 1970-1979 (McFarland, 2017)
Selected disc options for The Hand That Feeds the Dead
Notes
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