This very obscure thriller starts off on a promising note with a stylishly executed stalk and kill sequence, complete with subjective camerawork, as well as an unusual credits sequence with the actors’ faces superimposed next to the names of the characters they are playing, but it soon becomes bogged down in talk, talk and more talk. The setting and moody black-and-white cinematography ensure a few atmospheric moments, but on the whole Killer Without a Face is deserving of the obscurity it has attained.