Death Carries a Cane

After witnessing a brutal murder through a public telescope, a young woman becomes entangled in a string of killings targeting dancers in Rome. As she and her boyfriend investigate, they uncover a trail of clues pointing to a masked killer with a deadly obsession. The suspense escalates in this stylish giallo filled with red herrings, voyeurism, and razor-sharp twists.

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  Death Carries a Cane contains a few memorably nasty murder scenes, but beyond that is a strictly by-the-numbers affair. The film is clearly indebted to the gialli of Dario Argento, but director Maurizio Pradeaux fails to bring the same kind of style and flair to the material. … Once again, a character witnesses a murder, but the police and even the woman’s boyfriend are firm in their skepticism. This tired set-up might have worked a bit better if, for one, the dullard of an inspector decided to err on the side of caution and investigate properly right away! The list of red herrings grows exponentially, but for all that the suspense quota is rather low. The characters are bland, the dialogue scenes drag on for an eternity and the mise-en-scène does not warrant much interest, either. … This film is so utterly pedestrian that one waits in vain for something, anything original to show up. It never does transpire.