The Sweet Sound of Death

What starts as a simple romance, rendered in the social-realist monochrome familiar from any number of Nouvelle Vague items, rapidly darkens in tone, with the relationship between Pablo and Dominique revealing disturbing undercurrents … La llamada reaches a predictably tragic conclusion, proving itself worthy of standing alongside such far better-known ghost films as America’s The Uninvited, Britain’s The Haunting and Canada’s The Changeling.